Aurobiindo
Hypothesis - Poetry = Bliss
Writing Poetry is Bliss, as the Self is
Bliss and the aim of
Poetry is to discover the Bliss, which the
world's derelict sorrows
yearn !
A Poet can transport his audience to celestial
heights .
By the Art of the poet
We stand uplifted
And transfigured, the world floats
In an ineffable haze!
There are yogic techniques to generate Poetry.
If one can raise
One's consciousness
leveL beyond the 3 lower concentric
sheaths, poetic faculties will blossom.
They are the mundane physical sheath/Annamaya Kosha,
the
vital sheath or Pranamaya Kosha and the mental or
Manomaya
Kosha,
Beyond them Is the Intellectual Sheath, which can give
access
to the Fountain of Poesy,the Hippocrene !
In thw case of
Kalidasa,his mind had
hit the
Quantum Ground State, accidentally or
providentially.
The Ground State is the Source of. the Fountain
of Poesy.
Inspiration, intuition, illumination and Revealation
all come from thatCenter in us.
Center of Poesis
Referred to as the Helios/Heli/Heart Center in
us,
This Hrid Chidakasa is the Seat of
the Cause of
All Causes, the Absolute Self. All Poetry emanate from
this Center, Sarva Kavya Prabhavanti Tasmat.
Poets know how to manifest their talents. Western
Poets
invoke
the Muse of Poetry and Indians, the
Deity of
Poetry.
" Sing, Heavenly Muse"say the Western
Poets ,
while
the Indians say " Dance on my tongue, O
Deity
Of
Poetry".
Contacting this Ground State is
the Secret of
all poetry.
Kalidasa contacted this Unified Field of
Consciousness
and the Fountain of Poesy surged
in him. This
was symbolically depicted as
the Vision of
the
Mother Divine.
Poesis =
Esoteric Knowledge
Q-
How come the
concept of
Aeroplanes
or Vimanas was there in
the mind of the poet before it
was conceived In the
scientific mind?
A The greatest
Science, Kavya Sastra, contains,
All
the primitive mysteries of
Science!
As
the Center and Circumference of
Esoterica,
All
Science is comprehensible to Her
No wonder Indian
Wisdom consists of
millions
of Verses and the Poet is defined as a diviner
or sage,
Kavihi Kranta Darshee, just
like the Romans
who called them vates,
diviners!
The poet knows that
he may not be
compensated
in the mundane plane. By transporting
his audience to
the altaltissimo of Bliss, he also
becomes the recipient of Bliss.
As long as he is in the imagination rich poetic world
of the
supra-mundane, he is happy. But the minute he touches
the
mundane plane, he becomes sorrowful.
This is evidenced by
Keats' statement
I fall upon the thorns of Life
I bleed !
Walt Whitman had experienced Bliss within himself.
He was what the
Seers of the Upanishads recommended to mortals,
what Lord Krishna recommended
to Arjuna, a realized Self who views Becoming under the
metaphor of Being.
At
times, he wanted to become the Macrocosm, to become the Earth Geist,
to flow in and out of the veins of Nature, a consummation
that Goethe's
Faust devoutedly yearned for, but was denied so at the last minute, because
he
fell back on mundane experience and empirical becoming.